1st trip into 3D world leaves me stranded

The Unity 3D game-development program took me on an exciting new journey, but I got stuck along the way.

The Unity 3D website promises that the “game development program” gives users “everything you need to succeed” to build a sensory-stimulating, immersive experience.

I apparently need more than it can give.

I sat down to create a “simple scene” in Unity 3D at the request of an instructor whose enthusiasm about playing around with three-dimensional landscapes and skies piqued my interest.

But I never achieved a finished creation.

I started off OK. It was frustrating learning Unity’s tools, but with the help of a tutorial,  I managed to get some grass, sand and mountains in my virtual world. I even uploaded some “whispy clouds” into my environment.

But at the height of my creation — the introduction of a “person” to take users on a birds-eye view of my ‘scape — the program crashed. Repeatedly.

The computer ate my homework.

I’m not blaming Unity. I’m sure users with less education than I have created full-scale 3D games with this program without problem.

But I have not succeeded … yet.

Still, take a peek how at far into this brave new world I traveled.

Smartphones disrupted journalism, for better or worse

The newspaper industry — and a journalist’s job — has been completely disrupted by smartphone cameras.

In the print-first era, photojournalism was a vital component in publishing. Compelling photography was one of the ways to attract readers to newspapers and magazines on the newsstand. Many publications prided themselves on its provocative visual photography.  Top-tier photography was the hallmark of many newspapers and magazines such as National Geographic.

A standout news photographer was considered an essential newsroom staff member who brought a reporter’s story to life in ways that attracted and impacted audiences who wanted to know more but may not have wanted to read an entire story. In fact, images were considered “entry points” into stories, especially on a newsstand, where potential buyers could only scan the photos and “big type” like headlines and photo captions before deciding if they’d purchase a publication.

Disruption 1/Digital Era: Digital photography made quicker work of shooting and transmitting images for photojournalists faced with the more urgent deadlines of the internet age. Newsrooms transformed their “dark rooms” into storage spaces, and photographers stayed out on the beat without having to come into the office to develop their images. These visual journalists could remain focused on capturing compelling pictures with even higher-quality digital cameras.

Disruption 2/Smartphones: Then smartphones changed the game for telephones. And while journalists readily took up these new mobile tools of the trade to assist with reporting/writing stories (using the phones’ digital recording apps and email/text transmissions), its impact on photojournalism was even more profound.

As cameras in smartphones improved, each writer became his own photographer. He had a powerful, effective storytelling tool in his hand that allowed him to become a proficient visual journalist, too.

With its ubiquity, the smartphone’s unintended consequence was that it made all journos photographers. And despite the loss of expertise and quality in images taken by untrained shooters, audiences appeared just as satisfied with cell phone images as they’d been with pro photography.

Highest quality vs. good enough: Professional photography taken with expensive equipment isn’t essential for the reader, newspapers found. A much less expensive smartphone camera produces good (enough) quality photos for readers, especially in the digital-first environment that finds most readers accessing newspaper stories online.

Also, arming reporters/writers with smartphones also allowed them to shoot video. With the advent of social media, video is among those platforms’ most shareable content, and news organizations want their content to be shareable. So the smartphone camera became important for two kinds of digital content — and some newspapers believe that it cut the need for professional photojournalists and videographers, which would save the companies a lot of money.

Speed and accessibility trumped quality and training, and major newspapers such as the Chicago Sun-Times traded in its award-winning photo staff for smartphones’ multimedia capabilities.

Innovation transformed the news industry. And for some, the gains have far outweighed the losses.

VR journalism is in my future right now

There is nothing virtual about it — VR is the next frontier in journalism. It’s here, now, and I’m embracing it.

It’s not the first disruption in media I’ve faced head on.

When I landed my first job at a professional newspaper, the industry was moving from a “cut-and-paste,” jigsaw puzzle design method to a digital production process called pagination. As a recent college grad, I was ecstatic to be among the first to test this technology in a pro newsroom. Besides, I’d never learned the old paper-and-pencil layout method in college — and I was surprised that it still existed in the real world.

As more and more “pagination terminals” were placed in the newsroom, I’d find my way over to them between deadlines to get more training and practice.  I noticed my mostly middle age colleagues did not follow suit. Pagination was an unwelcome new resident to most of them, and many refused to learn it. That left more work — an opportunity — for me.

That’s the way I view change, as a chance to expand my knowledge and, perhaps, help lead our industry into the future.

Virtual-reality journalism is the future, and it’s here.

The New York Times already takes its audience into this world with daily VR stories that give users an immersive experience. The Associated Press recently shared its discoveries after spending a year testing VR content for its audiences.  And though the challenges of awkward head gear and eyewear (that make some users nauseous) haven’t been fully overcome yet, the audience wants more. And potential audience members in the coveted younger demographic use it anyway in gaming apps. They’re already over the hump, and we journalists must get over it also.

Or better yet, get into it. Let’s immerse ourselves in this dynamic new way of storytelling. Because it’s here, now. So let’s embrace it.

Developing an eye for ads

Before my journalism journey began more than two decades ago, I often said, “I read stories. I don’t pay attention to the ads.”

Now, the ads are impossible to miss. Sometimes they even obscure the stories.

You know the “rich media” ads that envelope your mobile or computer screen, briefly hiding what you’re reading while they play — it seems I can’t escape them.

But now that I’m discovering how advertising is evolving right along with the stories they accompany, I’m paying more attention to their content than ever.

I always understood that journalism relied on advertising to survive, and those of us in print media felt the pain when ad revenue took a nosedive in 2007-08, causing cutbacks, layoffs and declining volume and size of print media.

Back then I was only passively interested in the content of print ads. I read closely when it targeted my needs.

But as the digital era transformed my journalism experience into an online one, it also changed advertising this way.

According to the textbook “Media & Culture (Campbell, Martin and Fabos),” because of the shift of readers from newspapers and magazines to laptops and cell phones, “leading advertisers are moving more of their ad campaigns and budget dollars to digital media.” And I get an up-close, often interactive look at how that money is spent whenever and wherever I “log in” — whether I want it or not.

But, actually, now I want it. I pause a bit longer on pop-up promos these days. I find their content rich in many ways — they’re engaging, captivating, quick, fun. So I’ve decided that what lies ahead for digital and mobile advertising is a story I don’t want to miss.

Learning to respect citizen journalism

I haven’t always appreciated citizen journalism.

As a traditional journalist, trained at newspapers, I initially discredited anyone who thought that all it took to be a journalist was a story to tell and the means to tell it.

Mere citizens, I argued, did not have to uphold the values of accuracy, fairness, transparency and independence, as true journalists must. The citizen would not be held accountable for verifying facts, interviewing multiple sources and getting all sides of a story. A citizen would not face rigorous questioning during a multilayered editing process. And if a citizen got it wrong, well, they’d have no obligation to report it — unlike real journalists, who are responsible to publicly make errors right.

But as the digital era and now media convergence began to disrupt traditional journalism, the tools of the trade became globally accessible. Now, all that anyone needs to spread the news can be held in the palm of her hand.

And as I watched the transformative influence of grassroots newsgathering on our society, my appreciation and acceptance of citizen journalists — “activist amateurs,” as the textbook “Media & Culture” puts it — began to grow.

Today I’m grateful for cell phone videos by courageous citizens that uncover unlawful police-involved violence — it forces the nation to confront the “trigger-happy policin’ ” that Marvin Gaye testified about in his “Inner City Blues.” Many people, like Marvin, always knew it was real; now others are forced to face the facts.

I cheer when oppressed people stand up to corrupt governments and coalesce on social media to topple them. The Arab Spring of 2011 was a victory for freedom, thanks in part to the stories and videos revolutionary global citizens distributed to the world using Twitter and Facebook.

And I respect any ordinary citizen that understands the power they have to influence the world they experience by sharing authentic stories with others who need to know.

Citizen, journalism is yours.

Use for data tops need for privacy on the Web

“I always feel like somebody’s watching me.”

This paranoid chorus of an 1980s song by Rockwell sums up the one-hit-wonder’s frustration over unseen eyes stalking his whereabouts.

And that’s how it is when I search the Internet. 

But in my case, it’s not paranoia. 

Surveillance of my Web browsing patterns starts with “cookies,” which the textbook Media & Culture (Campbell, Martin and Fabos) defines as “information profiles that are automatically collected and transferred between computer servers whenever users access Web sites.” Every time I peruse the Web, my moves are being tracked.  

Cookies “can also be used to create marketing profiles of Web users to target them for advertising,” the text says. So each stop I make to consider or buy something online may generate information about my needs and wants that are ripe for companies eager to fulfill them. Such data mining allows businesses to reach potential customers with user-specific advertising.

It’s the reason why I get inquiries about my travel interests after I make hotel reservations. Or I get an email coupon following a search of sales at my neighborhood grocery store. And ever since I researched foreign-language lessons online, I’ve been pelted with promos about nearby schools and studying abroad.

This niche online experience is a part of Web 3.0, or the semantic Web. Our current era of the Internet “places the basic information of the Web into meaningful categories — family, friends, mutual interests, location — and makes significant connections for us,” the textbook says. But in order to enable “computers and people to work in cooperation” creating customized content for users, the Web requires a fair amount of online surveillance.

Frankly, I’m unnerved by all this spying. I’d like to believe that there’s still a measure of privacy in the world despite all the signs that there isn’t. For now, at least, I think I’d be willing to sacrifice a more meaningful Web for the ability to lurk online without being “watched.” But that’s not so easy these days. The need — and usefulness — of personal data trumps my individual desire to hide on the Internet.

So I guess Rockwell was right. 

Apple’s big challenge

For months, I’d been hoping the word “epic” would fall out of popularity in the lexicon of American speech.

Then Apple decided to take on the FBI.

Now the over-the-top (and overused) adjective seems appropriate. 

And if Apple ever needed a makeover in the media, where a tech titan-turns-underdog to become the people’s champion, this face-off with the feds could provide it — whatever the outcome of the case.

The firm has only a few days to comply with a magistrate’s order to help the FBI bypass encryption on an iPhone linked to one of the San Bernardino shooters that killed 14 people in a December attack. Both suspects, Tashfeen Malik and her husband, Syed Rizwan Farook, were killed by police.

Apple CEO Tim Cook published a letter to consumers Tuesday saying the government has asked for “something we consider too dangerous to create. They have asked us to build a backdoor to the iPhone.”

Cook’s letter urged “public discussion” about the legal case, and that call to action helped spark endless TV punditry, social media hashtags (#AppleVsFBI) and op-ed commentary this week. One journalist tweeted that three major editorial pages — New York Times, Washington Post and the Wall Street Journal — favor Apple’s side in the encryption battle.

An Associated Press story reports that other “big tech companies” are also siding with the company in its fight with the government.

“We stand with @tim-cook and Apple (and thank him for his leadership)!” Twitter chief executive Jack Dorsey tweeted, the AP story says. Google’s CEO Sundar Pichai also tweeted support, saying, “Forcing companies to enable hacking could compromise users’ privacy.

The text “Media and Culture (Campbell, Martin and Fabos)” says the right to privacy “addresses a person’s right to be left alone, without his or her name, image or daily activities becoming public property.”  And while law enforcement has extensive latitude in conducting crime investigations, the precedent that so-called #ApplevsFBI could set for other users is what Apple says it fears. “Compromising the security of our personal information can ultimately put our personal safety at risk,” Cook’s letter reasons. 

Although Apple could also lose support from consumers who rank national security higher than cell phone security, as the AP story noted, its position in this David vs. Goliath-like battle has been set. The champion here may turn out to be different, but the challenge will still be epic.

Cell phones: They’re all-consuming, and that’s OK

“Don’t rail against progress!”

That’s what I tell anyone who tells me how cell phones are ruining society.

And since my cell phone is ever-present and nearly always in use, I get told this all the time. It’s usually the first of a three-pronged plea by my senior relatives to put my phone away and talk directly to them.

Me: (In their company, scanning my phone for whatever …)

Them: “Cell phones are ruining this society.”

Me: “Don’t rail against progress.”

Them: “Why are people always looking at those things?”

Me: “Because they do so much. They’re very handy and necessary. People multitask.”

Them: “Will you PLEASE put that thing away?!”

Me: “I can’t. I need it.”

And I do. It’s impossible for me to concentrate effectively if I don’t have my phone at hand. I, like many, have felt the sheer panic in discovering that I’ve left my cell at home and must try to accomplish my daily tasks without it.

“I need my phone! What if there’s an emergency? How can anyone reach me?”

In reality, I almost never use my phone for the phone. Last week, I tracked my media consumption in a diary I kept over one weekday. In the more than nine hours I spent engaging with media (TV, radio, tablet and mostly, my iPhone), I logged only six minutes of telephone time. The other 9 hours and 13 minutes were spent “checking” things: Facebook, Twitter, Instagram, Snapchat, LinkedIn, the Internet, my email — and, of course, my work. Almost all of it was exclusively accessed through my cell.

The only “lulls” in my day — when I wasn’t looking at my phone — were, thankfully, when I was driving. Even walking to and from my car, I was using (yes, it’s my addiction).

I was not surprised by how much media I consume through my phone, nor that I hardly make phone calls anymore. I’ve embraced the fact that I’m “always on,” and so are most people like me. Whatever I may appear — to some — to be losing because of that fact (in-person chat time, undistracted down time) is outweighed, in my view, by what I’m gaining: Incredible tech savviness, agility at multitasking, closer social connections (if virtual and not actual) and  up-to-the-minute awareness of the world.

Because I value these assets, I’m never “off.” And I don’t seek it from others. I rarely ask my colleagues, students, church friends or associates to put their phones away. I know they’re paying attention — to me and other things.

It’s simple to do because today we have the world at our fingertips. That’s progress. So don’t rail against it.

 

 

Me and social apps: Snapping up new friends, scoping out old ones

This week I “snapped.”

After an introduction by a fellow communicator in school, I joined Snapchat, which I’d wanted to try for a while but felt it may be suited for a younger set.

A few colleagues kindly (or blindly) agreed to be my friends on the app so that I could bolster my snap skills. They quickly became the recipients of my initial annoying self-portraits and later ridiculous videos. But the personal “stories” and videos I got from them made me chuckle and want to explore how to connect with them in even more fun ways.

As I learn the ropes, Snapchat is being added to my daily roundup of favorite apps for frequent perusal. First Twitter, then Facebook, Instagram, LinkedIn and Periscope start my day. Now I “snap” shortly thereafter.

These social apps do something I never thought I’d need help with: bolster my social life.

Chatting with friends and strangers in person is no problem for me. I’m not shy about striking up conversations and finding common ground with people, and I enjoy the diversity that makes relationships interesting.

Snapchat — and my other faves — are allowing me to connect with new chums all over the country, which keeps me motivated to try more. #MoreNewFriends is quickly becoming my personal hashtag of 2016, and I’m enjoying investing as much time in these virtual connections as I do my actual ones.

Another benefit I receive from using social apps is the chance to reconnect with longtime associates around the world.

For example, last night I “scoped” with a friend on Periscope, a mobile app that livestreams everywhere. My friend, whom I’ve not seen in person in a long time, is a champion scoper whom I followed on his trip yesterday from China to Thailand via his Periscope broadcast. Not only did he enlighten me (and at least 200 other followers during his broadcast) about his maiden voyage to Bangkok, but I got to ask him a few questions about his adventures through Periscope’s live chatting feature, which he kindly answered.

Despite the many critics of isolation and loneliness social networks seem to cause others, I think I’ll keep scoping out and snapping up more interesting people to get to know.

Remember the time

Emerson PD5202 portable AM/FM radio with CD player (photo by Dwight Burdette/Wikimedia Commons)
Emerson PD5202 portable AM/FM radio with CD player (photo by Dwight Burdette/Wikimedia Commons)

When I think of the ’90s, I think of music. Fun music. Hip-hop (which expanded from its early days), pop hits and — my favorite genre — new jack swing.

Artists including Guy (featuring new jack’s architect, Teddy Riley), Keith Sweat, SWV and TLC were the new jack acts topping the charts in the ’90s, and their songs provided a soundtrack for me to bounce to. “I Like,” “Twisted,” “Right Here (Human Nature Mix)” and “Creep” created the love language of the times.

The new jack swing era was the last time I listened to music on the radio. After I bought my first CD, I learned I could bypass chattering dee-jays and endless commercials and customize the tracks I wanted to hear.

After CDs came iPods and downloads. And now, only 17 years past the ’90s, playing music on a smartphone is my go-to method of delivery. 

The text “Media and Culture: Mass Communication in a Digital Age (Campbell, Martin, Fabos)” says the “history of mass media has moved from emergence to convergence.” This quick-development process has put multimedia access — and so much else that simplifies our lives — at our fingertips all the time. “This convergence has been happening since the early 1990s,” the textbook says. “Ever-growing download speeds and the development of more portable devices have fundamentally changed the ways in which we access and consume media.” 

I’m a grateful beneficiary of this technological and cultural shift. I do listen to radio these days, though rarely in the car. A few apps on my tablet (too much of a battery-drain to play them on my smartphone) and stations that stream live broadcasts let me tune in around the country — WHUR in Washington, D.C., KGNW in Seattle, KKLA in Los Angeles and ESPN Radio have been a few favorites. 

Convergence has even changed the nature of radio itself, as seen with the growth of Rivet Radio, an app that offers “tailored content” full of local, national and global news and a “personalized listening experience” to audiences that are “on-the-go,” its Web site boasts.  

So when I get nostalgic for the ’90s, I play a little TLC on my iPhone. Something old and something new usually keep me smiling for hours.